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Alison Croggon

Featured Poet of the Month

Vol. 1 No. 4. London. June, 2004
 

Born in 1962, Alison Croggon is one of a new generation of Australian poets which emerged in the 1990s.  She writes in many genres, including criticism, theatre and prose. 

Her poetry has been published widely in anthologies and magazines in Australia and overseas. Her first book of poems, This is the Stone , won the 1991 Anne Elder and Dame Mary Gilmore Prizes. Her novel Navigatio , published by Black Pepper Press, was highly commended in the 1995 Australian/Vogel literary awards and is being translated for publication in France. Her second book of poems, The Blue Gate , was released in 1997 and was shortlisted for the Victorian Premier's Poetry Prize . 

The poem Mnemosyne , was published as a chapbook by Wild Honey Press in December 2001.   A book of new and selected poems, The Common Flesh, was published by Arc Books in the UK late 2003, and Salt Publishing released a new collection of poems and other writing, Attempts at Being in early 2002. Shortly a chapbook will be released from Sydney publisher Vagabond Press, November Burning.  Both books are available online from their publishers.Attempts at Being was shortlisted for the Kenneth Slessor Poetry Prize in the NSW Premier's Literary Awards and also was nominated for a Pushcart Prize in the US. In November 2002 she toured the UK, participating in the Poetry International Festival at Royal Festival Hall in London.


2002 also saw the publication of Alison's fantasy novel for young adults, The Gift , the first instalment of an epic series.  It was nominated in two categories in the Aurealis Awards for Excellence in Australian Speculative Fiction in December 2002 and named one of the Notable Books of 2003 by the Children's Book Council of Australia.  The Gift was published in the UK by Walker Books in May 2004 and in the US by Candlewick Books in May 2005. Part 2, The Riddle , will be released by Penguin Books Australia in November
2004.

Alison has to date written and had performed nine works for theatre.  Her theatre work includes the operas Gauguin (Melbourne Festival 2000) and The Burrow (Perth Festival, Sydney, Melbourne 1994-95 and broadcast by ABC Radio), both with Michael Smetanin , and the plays Lenz (Melbourne Festival 1996), Samarkand and The Famine (Rules of Thumb season, Red Shed Company, Adelaide 1997 and ABC Radio 1998).  Her play Blue was presented at La Mama in Melbourne and the Street Theatre in Canberra in June 2001 by CIA.The text Monologues for an Apocalypse   was commissioned for ABC Radio National and broadcast in 2001.She also wrote lyrics for Confidentially Yours (Playbox Theatre 1998, Hong Kong Festival 1999).Many of her poems have been set to music by various composers, including Smetanin ( Skinless Kiss of Angels , Elision New Music Emsemble), Christine McCombe and Margaret Legge-Wilkinson

(Canberra New Music Ensemble) and most recently Andreé Greenwell, with whom she is working on two collaborations. With Michael Smetanin, she has most recently completed a music theatre project, The White Army and they are now planning their third opera.  She has also performed her work with saxophonist/composer Tim O'Dwyer.

She was the 2000 Australia Council writer in residence at Cambridge University, UK.  She was poetry editor for Overland Extra (1992), Modern Writing (1992-1994) and Voices (1996) and founding editor of the literary arts journal Masthead. http://www.masthead.net.au

In 2003 she was also the organiser of the Australian wing of Poets Against the War , and within a week collected poems from more than 100 Australian poets which were delivered to the Prime Minister Mr Howard in protest against the impending war against Iraq.

For more about Alison Croggon:

Editor, Masthead
http://www.masthead.net.au

Home page
http://www.alisoncroggon.com

Blog
http://alisoncroggon.blogspot.com

 

All Souls Day
 

The dead have come to visit.
I don't know who they are.
They mark the glittering streets
With footsteps of rain.
The last leaves of autumn
Are their lost hands. I
Can almost hear their voices,

A rumour of wind and water.
My chest shakes like a window.
I have nothing to give them.
When I show them my hands
They turn away, disappointed.
Their eyes see through walls
To irrevocable horizons. I

Do not know their names.
Their breath beats in my arteries
Like ash, like earth, like rain
Which will never stop falling.
Their injuries taint my mouth
With a taste like blood. I
Breathe their sour bones.

I do not know what they want.
They seep into every cell
The purities of their lack.
Knowledge crumbles against them
And pours into a vast river
Where I am nameless.
The dead have come to visit

Hungry as birds in winter,
Enclosed by mortal grief
As light encloses a gesture
In darkness. I do not know
If it releases them.
Only the living are sad.
Dona eis requiem.

Cambridge November 2, 2002
 

Go Up

Nocturne

the stink and clutter of love
makes itself in its small houses
how distant! that cloud like a hand

dissolving opens on nothing -
how distant the operatic stars
from these fingers that clutch

for a white chord that dissolves
in the sob and ebb of sleep
as hunger burns its trace

into your solitary voice
which blushes against my skin -
the white unbitten apple of your throat -

we linger in these shadows
supple beasts slinking
through the startled eye of light

Go Up


Some steps

first into the eyes of lovers
who have not forgotten
how easily they are broken

secondly into the cradles
where children are abandoned
as offerings to silence

thirdly into the desert
where a prophetıs skin
hardens to humility

fourthly into the house
where the dogs were shot
maybe first, maybe last

fifthly, pause at the idol
which has become invisible
and much more dangerous

Go Up


Copyrights @
Alison Croggon

 

Prayers for the dead

may you be blessed by clawprints
may tolerant winds kiss your ashes

may you be forgiven
with the generosity of clouds
 

may the dust of your nightmares
drain into ample rivers

and may the sun consume you
with the busy fire of ants

and the creaturely parliament embrace you
as the soil humours a leaf

Go Up

Blind

The poet has no identity. She is an electrical cloud she is a swarm of bees she is a kabuki scream she is a shadow on the blind the plates in a cupboard the roar of trucks on a freeway. She is the fiery neurone and the mark on a piece of paper. She speaks on the telephone into the ether. No one there. Maybe it is god. She writes her body with the tips of her fingers but it is no longer her body. The words are not her they belong to nobody. She writes to slough off her name. She speaks to become invisible. She desires to become what she is. When she wakes into her name it is falling asleep again. When she dreams she forgets. She is blind. She has the power of flight.


Go Up


Spring

it is easy to forget me
I am a cloud in the corner of your eye
that vanishes in your direct gaze
when the rain comes

I would like to be
the whole of your sky
when the night falls over you
and silence begins

I will never be the whole of anything
I am the airıs inconsolable heaviness
and the stars sadly glowing
in a dark well

I will never be whole
bits of me have fallen everywhere
I wished on every star
as it plunged into blackness
my hands vanish in my dreams
like the smoke of a flower

it is easy to remember me
I am here like summer
in the voices of crickets
that fall silent at the sound
of a footstep


Go Up

THERE ARE BREAKAGES CERTAINLY

there are breakages certainly

although bone can withstand more pressure than reinforced concrete

the psyche has its own architectures which pay little heed to gravity

an entire city can be populated on foundations little bigger than an ant

I have often watched these insects crawling across the desolations of tables

in such malarial humidities perception is closed to a perimeter of twenty
feet

the night is making jaguar roars to scare away the blue skinned natives

within the circle of sight all objects are pretenaturally large and clear

I sip again the vitreous humours of my companions

and I have detached each lunate from each wrist and woven a palace from each

the dust from the ulysses butterfly is an excellent material for windows

such altitudes are dizzying but easily dispersed in alcohol

later the body will wither and every capitol crash to the earth

 

PL gratefully acknowledges Offsets Project, of which this poem was a part - http://www.soundeye.org/offsets

Go Up

Copyrights @ Alison Croggon