|Humanion| Thinking| Creating| Living| Humanics| ISSN 1753-0644 Print|       |ISSN 1744-3776 Online| Humanion| Thinking| Creating| Living| Humanics|

Buy a copy of Poets' Letter Print Magazine Poetry Month Special October Issue: 68 Pages £5.50

In Publication Since March 2004

contact: editor at poetsletter dot com Telephone: 07526 630 850

Poets' Letter Youth Lit Magazine's Debut October 15

http://www.poetsletteryouthlit.com

Archive Home 

Katherine Michaud

Briony Dennis

Isabel Galleymore

Malgorzata Kitowski

Claire Askew

Sarah Louise Parry

Sharon Harriott

Naomi Woddis

Saahia Mayenin

Ohie Mayenin

Raaneem Mayenin

Noel Canin

RichardDeakin

Anjan Saha

Catherine Brogan

Siobhan Lennon

Sara L Russell

Mary Ann Lily

Angela Cleland

Lucy Baker

Abigail Zammit

Kerry-Fleur Schleifer

Rebecca Atherton

Simon Jenner

Nadia Saint

Francesca Preece

Christina Murphy

Michael Levy

Sarah Wardle

Philip Ruthen

Leanne O'Sullivan
 

Kona Macphee

Cheryl Follon

Leontia Flynn

Isobel Dixon

Julia Copus

Raman Mundair

Charles Bennett

Maggie Sullivan

Juli Jeana

Nathalie Handal

Eva Salzman

Deema K Shihabi
 

Suheir Hammad

Rima Noor

Vona Groarke

Gaby Bila-Günther

Genevieve Cora Fraser

Rima Anabtawi

Jason Irwin

Benjamin Stainton

Carol Lynn Grellas

Phil Shöenfelt

Alison Croggon

Laura Hird

Philip Gross

Glyn Maxwell

Jim Bennet

Madeleine Marie Slavick

Natalia Carbajosa

Tomas Sanchez Santiago

Rati Saxena

Joumana Haddad

Maria Grech Ganado

George Law

Editorial Poems

Sneha Mistri

Tanuja Desai Hidier

Sinead Morrissey

Helen Oyeyemi

George Szirtes

Linton Kwesi Johnson

Selina Guinness

Neil Astley

Jeremy Payne

Renee Fleming

Katherine Jenkins

Lara St John

Helena Paparizou

Hayley Westenra

Mary Fahl

Moana Maniapoto

Emma Salokoski

Sissel Kyrkjebo

Deeyah

Abdel Halim Hafiz

Maya Nasri

Shireen Wajdi

Najwa Karam

Latifa

Elissa

News Items in July Issue 2008

News Items in August Issue 2008

2nd London Poetry Festival 2006

4th London Poetry Festival 2008

London Book Fair

The Tate

Shakespeare's Globe

Kiriyama Prize

The Poetry Kit Awards

The Slade Award For Service to Poetry

Chelsea Flower Show

Cheltenham Festival of Literature

Cheltenham Jazz Festival

Cheltenham International Festival of Music

Cheltenham Festival of Science

The Cheltenham Fringe Festival

Aldeburgh Poetry Festival

Ledbury Poetry Festival

Cambridge Poetry Summit

Cultural Co-operation

Prague Poetry Festival

The National English Poetre

The Arts Council

Richmond Writers' Circle

Ryde Carnival

World Congress of Poets

International Full Moon Poetry Festival

Cannes Film Festival

Berlin Carnival of Cultures

Glyndebourne Festival

Turin International Book Fair

The Taormina International Film Festival

Poets' Letter Poetry Anthology of New Voices 2005

 

 

 

 

 

 

 

Abigail Zammit

Featured Poet in November Issue 2006

Featured Poet in April Issue 2007

Abigail's Short Story: The Mirror Reflects Her Faithfully was published in May Issue 2007

Abigail A. Zammit was born in Malta in 1976 but moved to England in September 2004 in order to follow a Masters degree in Creative Writing at the University of Lancaster. Before that, she graduated from the University of Malta, obtaining a B.A.(Hons) in English, a P.G.C.E. and a Masters degree in English literature and subsequently taught English for three years at a Junior Lyceum for boys. After terminating her Masters in Creative Writing, Abigail taught GCSE and A level English at Stoke-on-Trent Sixth Form College and in November 2005 she attended a creative writing course organized by Writing Ventures. She then carried out publishing work experience with Icon Books, Sweet and Maxwell, Ebury and Traveller Magazine. Last July she returned to Malta and is now assistant-lecturer at G.F. Abela Junior College as well as part-time piano accompanist.

Abigail has had poems published by Orbis and Libertine magazines and has won third prize in a local poetry competition as well as a Lancaster Poetry Slam. She was chosen as feature poet for the online November issue of Poet's Letter. Abigail has also written articles and short stories for an alternative magazine entitled Manic. Her first collection of poems, Voices from the Land of Trees, is being published by Smokestack in June 2007. The subject is Guatemala where Abigail spent six weeks in the summer of 2003 - the poems speak in various voices and tackle the complexities and moral ambiguities of poverty, civil war and missionary work in the land of the Mayas. Her other poetry varies enormously in style and content, ranging from the personal and lyrical to the spiritual and political.

For here first collection VOICES FROM THE LAND OF TREES, published by SMOKESTACK Click Here

(1) Vultures
                                        
In memory of Kevin Carter, photojournalist (1960-1994)


I - Sudan, 1993

It's the gleam, I look for -
that clean shimmer of life
before the eclipse:
the shine of an iron bracelet,
the silver flash of a collar.

It was there that noonday.

I'd been waiting for hours:
hopping, walking, flying,
stalking her like a shadow.
She was in my grasp -
one shrivelled child
crawling slowly to the
feeding camp.

I was hungry, starving,
my beak blunt, dry,
claws itchy, swollen,
feathers dusty,
eyes blurring -
anxious for flesh
to turn to carrion.

Persevering as ever.

She let out a high-pitched
whine, collapsing slowly,
crouching like a monkey,
black forehead
bowed to the ground,
swollen intestines
pulling her down.

It was then I saw him.

Hidden behind branches,
still as twigs in dry season,
watching me watch,
wanting me to spread my wings,
to capture every movement
with the click of a camera.

I was ready to let him
have his fill, scan us
with his lens, set the landscape,
fix a close-up, gorge
the vision, press the button,
let the shutter blink.

After which,
he got up wearily,
swung his rucksack
in my direction,
shushed me away. 
I took to flight.

He was too large a predator.

Go to Top

II - Johannesburg, 1994

You will find motives and excuses,
look for ways and means,
spot the red pick-up
parked by the river,
a green garden hose
stuck to the exhaust pipe,
fumes funnelled
to the passenger's window.

You'll say the Pulitzer
was the death of me.
Only booze and drugs
could spill the horror
out, erase those moments
of detachment when I
pressed the button -
one staccato to ten
semibreves of pain.

Go to Top

III - Johannesburg, 1994

I have always had it all at my feet, but being me just
fit up anyway.
                                                     
         from Carter's suicide note


Sixteen twitchers
locked inside
Field and Study centre.


Grey herons perched
on side mirrors
of red pickup.

Guy in Lee jeans
and an Esquire T-shirt
dead on his rucksack.

The clapping of wings
over lone gum tree.

Steady rumble
of an engine.

Fat vulture
soaring the sky.


Go to Top


(2) She-Dog

Seven years of parishioner's fondling,
ball games with school children,
church-musicians, Poles, Italians,
old ladies in sticks that pat her forehead
and seven year of postmen
having their hand bitten through the letter box,
of signed complaints from police quarters
and dog shrinks saying she's too clever
to be stopped, her nips and little bites
controlled, curtailed, cushioned inside

those seven years of parish fencing,
of neighbouring dogs shagging the garden gate
while chastised and chaste, she lies silent
throughout service, credo, paternoster,
her compliance broken only by stifled cries
or hurried sniffs beneath closed doors,
those day in early spring when she is leaner,
fox-like, leaves red trails across hall carpet
or rips her tail against rose bushes,
the sting of acid rain slashing her skin.

God knows she has known lust, and love too,
the chemisty within her stifled
to an atom of heat, a fist of longing
and the whimper of wild dogs
bearing a trace of wolf-cry, wolf snout,
wolves yelping in dead forests and the howl
of all the women locked in cloisters, cells, attics -
those madwomen, christened, blessed
and silenced.
Go to Top

Poignant

My students want the meaning
of poignancy explained:
I tell them it is an old woman
playing two notes
only two -
steadily,
discordantly,
for two hours,
on a street corner in Amsterdam
and the coins
jingling into her lap
begging her to stop playing.

Or, more truly,
it is the memory
of those two notes,
savoured by two strangers
holding hands
and how now they remember it
separately, in their separate rooms,
wondering why they have walked
separate ways.

Go to Top

Madame Stein

'So there's nothing left to lose,' she said,
sitting naked at her piano,
one limp hand resting on three yellow keys,
eyes fixed on notes she used to read.

'It isn't that arthritic fingers lose their touch
or that this right foot trembles;
it isn't the dampening of sight,
dotted demis crowding the page

or death march thudding my ears;
it isn't just the memory of how I used to play,
the longest seconds of a lifetime
when fear gripped me by the throat

after my name, heard with trepidation,
after the thirst for the crescendo of applause,
the opening of velvet curtains,
the silent bow, my back tense

with the memory of notes held somewhere
tight between fingertips and mind,
the creak of swivel stool as I sit down,
taking my time, placing myself opposite the C,

strings craving for the thump of felted pegs,
the grand open and obtuse,
the audience hushed,
my fingers gliding like waves;

it isn't that fame no longer steps before me,'
said Madame Stein, lifting her fingers off the keys,
staring at hands mapped out in purple veins,
spinning lightly on the swivel stool -

'it's the memory of how
music used to play me,
sharpening my nerves,
slipping into me like a host.'

Go to Top


 

 

Copyrights @ Abigail Zammit
 

Mother

how you ironed the shirt
flat
that morning
counting white buttons
patting creases
and how you waited
till the men came
with the broken cages
and you huddled
his laughter
inside your bedside table
hoping the birds would return

Go to Top

Gecko

The gecko on the wall
in our back-garden
is sixty gecko paces from the soil,
the flower, the fly
that swims towards him,
fluttering delicious wings,
diving back towards the soil.

He lies still,
wrapped in the silence
of gecko introspection -
his belly a green swelling
feet clamped to the wall
eyes holding fly,
summoning insect flavour.

His is the language of patience -
of watching one's prey like a lover
who will not pounce or scream
but has learned to steady himself
with the possibility of movement -
his thoughts a black speck
of juicy knowledge - or the Om
of fly caught swift in flight
.

Go to Top

 

The Mirror Reflects Her Faithfully

Abigail Zammit

This short story was published in May Issue 2007

 The pink rollers had been there for a while.  A very long while.  Remnants of the days when her curls, still brown, would frizz around her forehead.  She’d comb her hair and roll them upwards, curl and roller, till she could no longer feel the bristles.  Her mum would drop in to express her distaste.  ‘Fake! Fake!’ she’d exclaim.  ‘God didn’t plan that for you.  Modesty shows in the face, the eyes, the way you do your hair.  Mark my words!”

And Maggie marked them. 

Every Saturday she’d put on her pink satin blouse, let her hair down and look in the mirror, picturing the tight curls as they’d frill gently round the neckline, framing her face.  And every Saturday her mother would burst in and put in a word of advice.  

The years before it had been a red dress, laced stockings, a skirt that showed off her ankles.  But that year it was those pink rollers and the time Maggie spent dreaming about them in front of her dressing table.  She had never had the twelve of them on.  Her mum would know when to come in.  At the sound of her footsteps, a sudden heat would take hold of Maggie.  It worked its way up her neck, reaching her cheeks and temples.  Her ears would burn, her hands tingle. 

‘Vanity!  That’s what it does to you, silly girl!’   So she removed them.  Four pink rollers undone.  There was a strange fluttering in her throat.  The curls, once released, burst around her neck in splattered cylinders.  She wanted them to tumble down with a thud - a mild expression of rebellion - but there was no such sound. 

Mrs Decesare would cough approvingly and leave the room.   

That Saturday, fifty years later, Maggie shuffled into the bedroom, opened the drawer of her dressing table, took out a rusty chocolate box and inspected the old rollers.  She ran a rheumatic finger across the top layer ones, feeling the bristles.  As usual, she took out one roller, placed it at the end of her hair and rolled it upwards.  The mirror reflected her faithfully, white hair frizzing like a halo.  She attempted a smile, trying not to count the wrinkles across her forehead.  It would be nice to have her hair curled neatly for the book group event the following evening.  Joe had remarked that her hair was exceptionally white – silver white, he’d said, like his mother’s used to be.  She’d taken that as a compliment.  Pity her unruly curls made it seem so unkempt.   

She put on a fourth roller, and a fifth one, thinking of the silver grey dress she’d wear.  Of course the neckline was slightly osé, but she would wear a black jumper to make it look decent. 

‘Maggie Maggie!’  Her hands froze on a pink roller.  She made an effort to curl the last imp of frizz.  ‘Maggie!’  No.  She’d count her wrinkles after all.  ‘Maggie!  Maggie!’   There were seven of them on her neck.  ‘Maggie!’    She let go of the roller.  ‘Maggie!’  Maggie shot up, undid all her rollers, slammed the tin box shut and rushed out of the room.   

In the main bedroom, three flames flickered gently on a homemade altar. There were saints in all shapes and sizes, pictures, statuettes, holy water from Lourdes and rosary beads made out of wood, crystal and all shades of coloured plastic.  She kneeled devoutly at the foot of the altar, crossed herself slowly, put her hands together and kept her eyes fixed on her diseased mother’s picture.  At her age, really, she should have known better than to be so vain.  How her mother had warned her...  but had she ever listened?  No.  Not even now, an old lady like her!  She blushed at the thought of her own failings.  Three Hail Maries, six Requiem æternae, and a promise to refrain from vain thoughts.    

Maggie could still feel that strange fluttering in her throat, however.  She had learnt to think of it as an injured sparrow.  Something that would only lift once she became a better person.  

The doorbell rang.  It was probably Rosie from across the street – she’d promised to teach her how to knit gloves and tiny bonnets.  They had agreed to send them to a charity.  Those badly nourished babies in Peru and Brazil were badly in need of food and warmth.  Or so she’d been told.   

The doorbell rang once more.   She reached the end of the corridor and rushed past the large china bulldog.  It was as sulky and sour as ever, its jaw fixed in an expression of hopeless anger.  She’d thought of getting rid of the wretched thing, but it had been there since she was seven years old and though she’d always hated it, she didn’t have the courage to remove anything that her parents had bought.  It was the same with the rest of the house – the creaky bedsteads, the miniature shoe collection, even the framed lock of her hair in the main bedroom.     

‘Good morning, Aunt Maggie!’  It wasn’t just Nina after all.  Little Jessica was standing at the door. She was wearing a white duffle coat and four lovely ringlets of blonde hair peeped out of her fur bonnet.   Sometimes Nina would bring Jessica along.  She was her niece’s only daughter and the old woman and child got along beautifully.  Maggie, having no nieces of her own, had formed a special bond with    her too.  It had started a couple of years back when Jessica took a liking to the music box located on the dressing table in her bedroom.  She’d always ask Maggie to wind it so that she’d listen to the Für Elise. 

‘Aunt Maggie!  We thought you’d forgotten about the gloves.  Mum sent four pairs.  I used to wear them when I was a baby.  Have a look!  I like the red ones best.’ 

‘Oh, they’re lovely.  I’m sure they’ll keep one of those poor babies warm and cozy.  God will be so pleased with you for giving them away.  And how are you doing, my dear? 

Jessica took Maggie’s hand in her own and pressed it gently.  ‘I’m fine Aunty.  I have been thinking, do you think we can knit in your bedroom today? 

The old women burst out laughing.  ‘Jessica,’ Nina exclaimed, ‘don’t you go pestering Maggie about that music box again!’   

But Maggie was already leading the child to her bedroom.  One of the rollers was at the foot of the purple music box and another one lay on the floor.  Jessica picked the first one up. 

‘I didn’t know you used rollers Aunt Maggie!  Mum has taught me how to do them properly.  I practice on my make-up doll, the one without arms and legs.  It’s for putting make-up on and brushing her hair’.   

‘Do you?’  Maggie remarked disconcertedly.  She quickly picked up the other roller.  ‘Why don’t you wind the music box yourself today?  Your fingers must be strong enough now.  Here, hold it this way.’ 

Jessica’s face lit up.  The box was indeed a big affair, with a ballerina in the middle, her tiny legs and pink shoes made to swirl softly to Beethoven’s music.  There were two drawers on each side of her, but Jessica had never dared pull their minute brass knobs.    Now, she held the music box in both arms, tilted it slowly and started winding it up with as much care as she could master.   

The music swept out like a released butterfly.  Jessica’s eyes were fixed on the ballerina and her pink tutu.  Purple curtains were drawn on the small mirror at her back.  It was a mini-theatre and the little doll was a Prima Donna.  ‘I’d love to be able to dance, Aunt Maggie!’  

‘I’m sure you could learn...’ 

‘No way! Mum says she won’t have me showing my legs like that!  She says it’s indecent.  I don’t know what that word means.  But I’m sure this time she’s wrong.  Our teacher says even grown-ups can be wrong sometimes.  Just a few times.  Did you know that, Aunty? 

‘Erm, yes’ she said, glancing at Nina who had just made her way in.  She was carrying a plastic bag with big balls of white wool. 

‘Look Maggie, just what you need to go with that silver grey dress of yours.  It would make a lovely scarf and it would go beautifully with your hair.’ 

‘Oh, not me!’  Maggie giggled.  She glanced at the mirror and caught sight of a missing molar.  ‘At my age.  And my hair has always been frizzy.  Such unruly curls!  But I’m too old to bother really.’ 

‘No you’re not!  Why don’t you just pick those rollers of yours and curl it up neatly?  They’re always lying around somewhere.  Don’t tell me it’s that old story again.  For God’s sake Maggie!’    Nina stopped talking as soon as she saw the expression on Jessica’s face.  The music had ceased and the child had been listening intently. Suddenly, she got up. 

‘I know, Aunt Maggie!  Let me curl your hair.  Could I use those pink rollers?  I’m a good hairdresser.  Promise.’ 

‘Oh no, my dear!  Not the rollers.  See, I’m too old for that.  It wouldn’t suit me.’ 

‘Please, you’ll look perfect.’  Jessica was determined to have her way. 

‘Really dear, at my age I shouldn’t care about my appearance.’   

‘Oh, I know you want to,’ Nina burst in.  ‘Remember when we bought those rollers?  I had chosen the lilac ones and I’d use them every Saturday.  Your mum never let you put yours on.  You used to cry your eyes out.’ 

Maggie was silent.  The child couldn’t help noticing the slight quiver of her lower lip.  She’d seen adults cry before, but Aunt Maggie was much too old for that.  Surely, her Mama couldn’t make her cry. 

‘Come on, Aunty, sit down. I’ll show you how.  Give me the roller you’ve been holding.  Yes.  Where do you keep the other ones?’ 

Maggie opened the drawer and showed her the tin box.  There were ten rollers left, their pink hue fading into yellow. 

‘I’m too old for this’. 

‘Oh come, aunt.’  With one hand Jessica took hold of a roller and with the other she combed a strand of Maggie’s hair.  Then, very gently, she held the lock tight and wrapped up the roller.  ‘Always backwards, Aunt Maggie,’ she said.  ‘Did you know that?’ Then she wound another and another.   

Nina laughed, ‘Look at you now, you’ll be lovely tomorrow.  What do you think?’ 

Maggie wasn’t listening.    She could hear somebody calling her.  There was a slight fluttering in her throat.  ‘Maggie!  Maggie!’  Maggie shot up, the eighth roller tumbling down on the floor. 

‘Aunty, please!  Jessica pleaded.  The old woman looked at the child, her eyes begging her to sit. 

‘Let me practice on you, please’.  Maggie sat down again, took hold of the music box and wound it up.  The Für Elise wove its rhythms into her name – ‘Maggie! Maggie!’  That way she wouldn’t hear.  She would not move, would not answer.  She waited for the child to do her last curl.  

In the mirror, a woman looked out at her.  Her halo tempered by pink curlers, her face flushed, her eyes shining.  ‘Maggie!  Maggie!  Maggie placed her right hand on her throat, admiring her face.  The fluttering had ceased.

Copyrights @ Abigail Zammit